basement.
âSorry,â Steven says. His head is turned away from me, toward the wall. âDidnât mean to start thinking about that.â
âItâs all right.â I try, unsuccessfully, to keep my voice steady. âWasâwas he the one you told me about before?â
âYeah.â His voice registers no emotion.
I gulp. âHe said he knew her secret. What was he talking about?â
Thereâs a pause. âShe was a cutter,â he says quietly.
âSelf-injury?â
He nods, staring at the wall. âIf heâd reported her for that, she wouldâve been reclassified as a Type Three. They wouldâve Conditioned her or put her in a treatment facility against herwill. And word wouldâve leaked out. Word always gets out. Things would have gotten worse for her at school.â
The room spins, and I close my eyes, dizzy. Sweat cools on my forehead. âWhat happened to her?â I whisper.
âAfter that, you mean? She never spoke to me again. I think she was scared of me.â
My chest aches. I know I should disapprove of his actions. But all I can think about is how much it must have hurt for him to lose his friend.
Focus.
Iâm here to do a job. âLetâs proceed.â I slide the visor down. âI want you to clear all those other memories from your mind and go into your first memory from your kidnapping.â
âI donât remember being kidnapped. I just remember waking up in that place.â
âLetâs start there.â
Iâm sinking againâdeeper this time. I feel as though Iâm in a lake, floating slowly toward the bottom, the light dimming until cold, heavy blackness presses in all around me. Even my own breathing recedes into silence.
Darkness. Then a flicker. Soft, blurred shapes become images.
Iâm in a room with cracked, dirty cement walls. A dull pain throbs behind my eyes, and thereâs something warm and sticky on my head, plastering my hair to my skin. Blood?
Everything aches. Itâs cold. So cold. I shiver and try to stand up, but my hands and feet are tied with rough, scratchy rope. Thereâs a rag stuffed in my mouth, and it tastes like dirt and sour sweat.
I have to pee. I wriggle, but the ropes wonât loosen.
The door creaks open, and a man in a stained white shirt enters. Heâs huge, broad-shouldered, with a bald head and tiny dark eyes. His face is rubbery, his nose enormous and squashed-looking, his lips fishy and thick. A scar runs from his temple to his jaw.
He stares at me, and I stare at him. For a moment, he just stands there. Then he smiles. He has only a few teeth, little yellow stumps. Slowly, he approaches, dragging his feet across the cement. He crouches so that his face is level with mine. âHi, Steven,â he says. His voice is very deep, very quiet.
I whimper through the gag.
âYou donât know who I am,â he says. âBut I know about you. I know youâre sad. You donât have any friends, do you?â He strokes myâ
Stevenâs
âhair.
Oh God.
âThatâs all over. Iâm your friend now. Iâm the only friend you need.â
This isnât happening. Iâm notâthisâ
âYouâll like it here. Weâre going to play lots of games. You like games, right?â
Not real. Just neural impulses traveling through a computer.
He stands. âHow about some music?â
A strange, ancient-looking, boxy gray machine sits in the corner. It has a clear window with circles inside. He walks over to it now and pushes a button, and the little wheels behind the window start to turn. A womanâs voice, singing in French, emanates from the speakers.
Steven doesnât know the song, but I recognize âLes Clochesdu Hameau,â and for an instant, Iâm Lain Fisher again. Then she breaks apart and dissolves.
The sound coming from the machine is dim and scratchy. The man whistles