Raven's Gate by Anthony Horowitz

wrought-iron cock looking out over the four points of the compass. Today it was facing south.
    Matt got off the bike, crossed the farmyard to the front door and pulled a metal chain to ring a bell in the porch. He was early – it was only half past nine. He waited, then rang again. No answer. Perhaps Tom Burgess was working in the barn. Matt walked over and looked inside. There was a tractor and an assortment of tools, a pile of sacks and a few bales of hay … yet no sign of the farmer.
    “Mr Burgess?” he called.
    Silence. Nothing moved.
    But the farmer
had
to be there. His car, a Peugeot, was parked in the drive. Matt went back to the house and tried the front door. It opened.
    “Mr Burgess?” he called again.
    There was no answer. Matt went inside.
    The front door led straight into the main room, which had a large fireplace with a gleaming pair of bronze tongs and a small shovel leaning against the grate. The fire had evidently burned during the night, as the ashes were still strewn over the hearth. The place was a mess. Tables had been overturned and books and papers scattered on the floor. All the inside shutters were hanging off, some of them broken in half. Matt’s foot caught a stray pot of paint. He picked it up and put it to one side.
    The kitchen was in a worse state. The drawers were open and their contents had been thrown everywhere. There were broken plates and glasses and, in the middle of the kitchen table, a half-empty bottle of whisky lying on its side. Matt glanced up. A huge carving knife had been thrust into a kitchen cupboard, its blade penetrating the wood. The handle slanted towards him. It looked odd and menacing.
    Every fibre of his being was telling him to get out of here, but Matt couldn’t leave now. He found himself drawn to the stairs. Narrow and twisting, they led up from the kitchen and before he knew what he was doing, Matt was on his way up, dreading what he would find at the top but still unable to stop himself. He wasn’t expected for another half an hour. Maybe Tom Burgess was still asleep. That was what he told himself. But somehow he didn’t believe it.
    The stairs led to a landing with three doors. Gently, he opened the one nearest to him.
    It led into a bedroom, and this was worse than anything Matt had seen downstairs. The room looked as though a whirlwind had hit it. The bedclothes were crumpled and torn, spread out over the carpet. The curtains had been ripped down and one of the window panes was smashed. A bedside table lay on its side, with a lamp, an alarm clock and a pile of paperbacks thrown on to the floor. The wardrobe doors were open and all the clothes were in a heap in one corner. A tin of green paint had toppled over, spilling its contents into the middle of the mess.
    Then Matt saw Tom Burgess.
    The farmer was lying on the floor on the other side of the bed, partly covered by a sheet. He was obviously dead. Something – some sort of animal – had torn into his face and neck. There were hideous red gashes in his skin and his fair hair was matted with blood. His eyes were bulging, staring vacantly, and his mouth was forced open in a last attempt at a scream. His hands were stiff and twisted in a frantic effort to ward something off. One of them was smeared with green paint, which had glued his fingers together. His legs were bent underneath him in such a way that Matt knew the bones must be broken.
    Matt backed away, gasping. He thought he was going to be sick. Somehow he forced his eyes away and then he saw it, painted on the wall behind the door. In the last moments of his life, the farmer had managed to scrawl two words, using his own hand smeared with paint:
    RAVEN'S GATE
    Matt read it as he backed out of the room. He shut the door behind him and reeled down the stairs. He remembered seeing a phone in the kitchen. He snatched up the receiver and dialled 999 with a finger that wouldn’t stop shaking. But there was no dialling tone. The phone had been