Mother take to her bed for a week, it only made the gallery girls and society pages love me even more.
And then the first letter arrived, and everything changed.
My dear Miss May,
You must forgive me, but I have fallen hopelessly in love with you and Iâm afraid I must tell you that you are now inextricably linked to my survival in this dreadful war.
âO ne minute to curtain. One minute to curtain.â
The cry of the stagehand cuts through my thoughts. I check myself again in the mirror, touch up my rouge, and apply more kohl to my eyes. The mask of theater. Who cares that my head is pounding and my bones ache dreadfully. The show must go interminably on.
I open the dressing room door and call out into the dimly lit corridor: âDoes anyone have an aspirin?â but my words evaporate in a cloud of powder and perfume and glitter as the chorus girls scurry past, their heels clicking and clacking along the floor as last-minute adjustments are made to zips and straps, buckles and laces.
Only Hettie hears me. âShould I go and find one?â
âOne what?â
âAn aspirin.â
âYes. Please.â I wave her away with a distracted hand. I have no idea why the poor thing puts up with me. I treat her dreadfully at times. I donât mean to. I just donât seem to know how to treat her any differently.
I listen at the door until Iâm certain the last of the girls have gone. Only then do I reach beneath the dressing table and open the bag I keep hidden there. I pull out the bottle of gin. A quick slug. Purely medicinal. What I wouldnât give for a shot of sweet morphine, to slip into that delightful abyss of nothingness where nobody can hurt me and nothing dreadful has ever happened and Roger is coming home and I am perfectly well. There was a time when I took morphine for fun, to numb the emotional pain of war.Now the doctors tell me I must take it for the physical pain that will eventually bring about my demise. I take two long gulps of gin, coughing as the liquid burns the back of my throat, before returning the bottle to the bag and rushing from the dressing room, the sharp tang of liquor flooding through me, suppressing my pain and my fear and my doubts.
âMiss May! Your aspirin!â
I ignore Hettie and carry on along the passageway, climbing the steps into the wings. I hear the chatter and rustle of the audience as they settle back into their seats. As the houselights go down I take a deep breath, close my eyes, and allow everything to dissolve into a muzzy warmth as I step onto the stage.
The curtain goes up. The spotlight illuminates me. There is an audible gasp from the ladies in the stalls as they admire the beauty of my red velvet cape. I know the reporters for The Lady and The Sketch and the other society pages will be scribbling down every detail. The gallery girls burst into rapturous applause, screaming my name and standing on their chairs. âMiss May! Miss May! Youâre marvelous!â I open my eyes, the audience a blur of black against the dazzle of the footlights. My leading man, Jack Buchanan, gives me the cue.
I step forward and deliver the line. âHonestly, darling, must we invite the Huxleys for dinner. I think I would rather curl up in a ball and die.â
The audience roar with laughter, unaware of the cruel truth contained in my words.
8
LORETTA
âIt isnât my place to tell you when youâre dreadful, especially not on opening night.â
A heavy fog smothers London by the time the show is over. Outside the door to Murrayâs, the soot-tainted air catches in my chest, making me cough. It is sharp and painful. Far worse than anything I have experienced before.
Perry looks worried. âYou really should go to the doctor about that cough, Etta. Itâs definitely getting worse.â
When Iâve recovered and caught my breath I take a long drag of my cigarette and tell him to stop fussing. âWas I all