Trust Me by John Updike

grateful to be stopped. His face was pink, as his handhad been. In the light of the windows behind the sofa his eyes were very green. An asparagus fern hanging there cast a net of shadow that his features moved in and out of as he apologized, talked, joked. “Baby fat!” he had exclaimed of her belly, having tugged her sweater up, bending suddenly to kiss the crease there, his face thin as a blade, and hot. He was frightened, Betty realized, which banished her own fear.
    Gently she maneuvered him away from her body, out of the door. It was not so hard; she remembered how to fend off boys from the college days that his book had brought back to her. In his gratitude he wouldn’t stop smiling. She shut the front door. His body as he crossed the melting street fairly danced with relief. And for her, again alone in the empty house, it was as if along with her fear much of her soul had been banished; feeling neither remorse nor expectation, she floated above the patches of sun being stitched by falling drops, among the curved shining of glass and porcelain and aluminum kitchen equipment, in the house’s strange warmth—strange as any event seems when only we are there to witness it. Betty lifted her sweater to look at her pale belly. Baby fat. Middle age had softened her middle. But, then, Lydia was an athlete, tomboyish and lean, swift on skis, with that something Roman and androgynous and enigmatic about her looks. It was what Rafe was used to; the contrast had startled him.
    She picked up the book from the sofa. He was one of those men who could read a book gently, so it didn’t look read. She surprised herself, in her great swimming calmness, by being unable to read a word.
    Tuesday, as they had planned weeks ago, Rob took her to Philadelphia. She had been born there, and he had businessthere. Taking her along was his tribute, he had made it too plain, to her condition as a bored housewife. Yet she loved it, loved him, once the bumping, humming terror of the plane ride was past. The city in the winter sunlight looked glassier and cleaner than she remembered it, her rough and enormous dear drab City of Brotherly Love. Rob was here because his insurance company was helping finance a shopping mall in southern New Jersey; he disappeared into the strangely Egyptian old façade of the Penn Mutual Building—now doubly false, for it had been reconstructed as a historical front on a new skyscraper, a tall box of tinted glass. She wandered window-shopping along Walnut Street until her feet hurt, then took a cab from Rittenhouse Square to the Museum of Art. There was less snow in Philadelphia than in Connecticut; some of the grass beside the Parkway already looked green.
    At the head of the stairs inside the museum, Saint-Gaudens’s great verdigrised Diana—in Betty’s girlhood imagination the statue had been somehow confused with the good witch of fairy stories (only naked, having shed the ball gown and petticoats good witches usually wear, the better to swing her long legs)—still posed, at her shadowy height, on one tiptoe foot. But elsewhere within the museum, there were many changes, much additional brightness. The three versions of
Nude Descending a Staircase
and the sadly cracked
Bride Stripped Bare by Her Bachelors, Even
no longer puzzled and offended her. The daring passes into the classic in our very lifetimes, while we age and die. Rob met her, just when he had promised, at three-thirty, amid the Impressionist paintings; her sudden love of him, here in this room of raw color and light, felt like a melting. She leaned on him, he moved away from her touch, and in her unaccustomed city heels Betty sidestepped to keep her balance.
    They had tea in the cafeteria, out of place in their two dark suits among the students and beards and the studied rags that remained of the last decade’s revolution. Here, too, the radical had become the comfortable. “How do you like being back?” Rob asked her.
    “It’s changed, I’ve