Kill and Tell
ringing phones, people sprawled in chairs, clouds of cigarette smoke, and the odor of strong coffee. It could have been any busy, disorganized office, except for the fact that most of the people there were armed.
    She found the appropriate door and knocked on it. That smooth, dark voice she remembered so well said, "Come in."
    She opened the door, and her stomach twisted again, this time with pure nervousness, as she looked at the man rising to his feet. Detective Chastain wasn't what she had expected. He wasn't middle-aged, pot-bellied, or balding. Mid-thirties, she guessed. He looked like a man who had seen too much ever to be surprised by anything again. Thick black hair was worn cropped close to his head, and he had thick eyebrows arching over narrow, glittering eyes. His skin was olive-toned, and his five o'clock shadow was heavy. A couple of inches over six feet, broad-shouldered, muscled forearms; he looked tough, maybe even mean. Something about him scared her, and she wanted to run. Only the years of discipline learned on the job kept her from doing so.
    Marc stood as Karen Whitlaw stepped into his cramped office. He had the usual cop's talent for sizing up people, and he used it now, studying her with eyes that gave nothing away while he noted every detail about her. If she was distressed in any way by her father's death, she didn't show it. Her expression said that she thought this was all bullshit, but she'd get through it and then get on with her life. Pity, he thought, assessing her again, and this time with a man's eye instead of a cop's. He didn't have much use for coldhearted people, but she was a pretty woman. Mid-to late twenties, with a face that managed to be both exotic and all-American, clearly shaped but with a slant to her cheekbones, an intriguing sultriness to her dark, slightly deep-set eyes. Better than pretty, he thought, revising his opinion. She was understated, so her looks didn't jump out at a man, but she was definitely worth a second look. Nice shape, too; medium height, slim, with high round breasts that hadn't jiggled at all when she walked. That meant they were either very firm or she wore a killer bra. On a purely physical level, he would like to find out which it was. Steadily increasing pressure in his groin told him he would like that very much. He gave a mental shrug. It happened sometimes; he'd have a strong sexual reaction to a woman he didn't even like. Mostly he ignored the urge, because the payoff wasn't worth the cost. He held out his hand to her. "I'm Detective Chastain."
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    "Karen Whitlaw." Her voice was a little throaty but as composed as her face. Her fingers were cool, her hand delicate in his, her handshake brief and firm. She had beautiful hands, he noticed, with long tapered fingers and short, unpolished, oval-shaped nails. No rings. No jewelry at all except for a serviceable wristwatch and a pair of small gold balls stuck in her earlobes. Miss Whitlaw obviously didn't believe in gilding the lily, but then she really didn't have to.
    Her hair was as dark as her eyes, brushed back simply from her face. It hit her shoulders with a slight undercurl. She was neat. Businesslike. Unemotional.
    It was the unemotional part he didn't like. He hadn't expected her to be sobbing, but people usually exhibited some sign of grief or shock, however controlled, at the death of a family member, estranged or not. Regret usually caused a few tears even if there was no genuine grief. He couldn't see either in this self-possessed woman.
    "Sit down, please." He indicated a chair, the only chair in the tiny office other than his. It was straight-backed and didn't invite people to relax and linger.
    She sat, her skirt positioned to fall at the middle of her knee. She kept both feet on the floor. She was so still she reminded him of a porcelain doll. "You said on the phone that my father's death appeared to be the

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