Collected Prose: Autobiographical Writings, True Stories, Critical Essays, Prefaces, Collaborations With Artists, and Interviews

Collected Prose: Autobiographical Writings, True Stories, Critical Essays, Prefaces, Collaborations With Artists, and Interviews by Paul Auster

Book: Collected Prose: Autobiographical Writings, True Stories, Critical Essays, Prefaces, Collaborations With Artists, and Interviews by Paul Auster Read Free Book Online
Authors: Paul Auster
teach someone to drive without getting angry or crumpling in a fit of nerves. You could be careening straight toward a lamp post, and still he would not get excited.
    Impenetrable. And because of that, at times almost serene.
    *
     
    Starting when he was still a young man, he always took a special interest in his oldest nephew—the only child of his only sister. My aunt had an unhappy life, punctuated by a series of difficult marriages, and her son bore the brunt of it: shipped off to military schools, never really given a home. Motivated, I think, by nothing more than kindness and a sense of duty, my father took the boy under his wing. He nursed him along with constant encouragement, taught him how to get along in the world. Later, he helped him in business, and whenever a problem came up, he was always ready to listen and give advice. Even after my cousin married and had his own family, my father continued to take an active interest, putting them up in his house at one point for more than a year, religiously giving presents to his four grand-nephews and grand-nieces on their birthdays, and often going to visit them for dinner.
    This cousin was more shaken by my father’s death than any of my other relatives. At the family gathering after the funeral he came up to me three or four times and said, “I ran into him by accident just the other day. We were supposed to have dinner together Friday night.”
    The words he used were exactly the same each time. As if he no longer knew what he was saying.
    I felt that we had somehow reversed roles, that he was the grieving son and I was the sympathetic nephew. I wanted to put my arm around his shoulder and tell him what a good man his father had been. After all, he was the real son, he was the son I could never bring myself to be.
    *
     
    For the past two weeks, these lines from Maurice Blanchot echoing in my head: “One thing must be understood: I have said nothing extraordinary or even surprising. What is extraordinary begins at the moment I stop. But I am no longer able to speak of it.”
    To begin with death. To work my way back into life, and then, finally, to return to death.
    Or else: the vanity of trying to say anything about anyone.
    *
     
    In 1972 he came to visit me in Paris. It was the one time he ever traveled to Europe.
    I was living that year in a minuscule sixth-floor maid’s room barely large enough for a bed, a table, a chair, and a sink. The windows and little balcony stared into the face of one of the stone angels that jutted from St. Germain Auxerrois: the Louvre to my left, Les Halles off to my right, and Montmartre in the far distance ahead. I had a great fondness for that room, and many of the poems that later appeared in my first book were written there.
    My father was not planning to stay for any length of time, hardly even what you would call a vacation: four days in London, three days in Paris, and then home again. But I was pleased at the thought of seeing him and prepared myself to show him a good time.
    Two things happened, however, that made this impossible. I became very ill with the flu; and I had to leave for Mexico the day after his arrival to work on a ghostwriting project.
    I waited for him all morning in the lobby of the tourist hotel where he had booked reservations, sweating away with a high fever, almost delirious with weakness. When he did not show up at the appointed time, I stayed on for another hour or two, but finally gave in and went back to my room where I collapsed into bed.
    Late in the afternoon he came and knocked on my door, waking me from a deep sleep. The encounter was straight out of Dostoyevsky: bourgeois father comes to visit son in a foreign city and finds the struggling poet alone in a garret, wasting away with fever. He was shocked by what he saw, outraged that anyone could live in such a room, and it galvanized him into action: he made me put on my coat, dragged me off to a neighborhood clinic, and then bought the

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