The Tax Inspector by Peter Carey

trench. The only charges ever laid were against her father for not keeping his gelignite locked up.
    Everyone in Dorrigo heard the story, of course, Freddy Sparks the butcher knew it, told it to people who had already heard it. But he never did connect it with the sweet cloying smell that rose from Frieda Catchprice’s handbag when she opened it to pay the bill. The source of the smell was nothing to look at – like a cheap sausage, or some cold porridge wrapped in brown paper. It was a stick of AN 60 gelignite.
    This was the year Frieda did her mines exams and got a permit herself. No one wanted to let her have it – her parents least of all – but she wanted to make a flower farm and they were too frightened to say no.

11
    She was carrying gelignite in her white leather clutch-bag when she first danced with ‘Cacka’ Catchprice. He arrived in August as official scorer for the touring Franklin ‘Magpies’.
    All that time I was pretty and did not know it .
    This thought could still make her rheumy eyes water – she had been brought up to think herself so goddam plain, such a collection of faults – wide mouth, small bosom, thin legs – which would all be clear for all the world to snicker at if she did not listen to her mother’s advice about her shoes, her skirt, her lipstick colour.
    I could have married anyone I damn well pleased .
    When she walked into town in gum boots, holding gelignite in her clutch-bag, her dancing shoes in a paper bag, she had decided to get married, to anyone, she did not care – anything would be better than staying in that house another year – but when she opened the wire gate in the fence around the C.W.A. rooms, she almost lost her resolve and her legs went weak and rubbery and she really thought she was going to faint.
    She saw men in blazers leaning against the ugly concrete veranda posts. There was a string of coloured lights in a necklace underneath the veranda guttering. Under the wash of blue and red there were girls she recognized, people she had ‘dealt with’ in the shops who were now powerful and pretty in scallops of peach organza. They did not try to speak to her. The smell of beer came out to meet her, as alien as sweat, hair oil, pipe tobacco. She had to make herself continue up the path in her gum boots.
    Inside it was no better. She sat beneath the crepe paper streamers, on a chair in a corner by the tea urn, and removed her muddy gum boots. She kept her head down, convinced that everyone was looking at her. When she saw that the gum boots were too big to fit in her paper bag, she did not know what to do with them.
    If it had not been for the gum boots Cacka might never have spoken to her. If she had come in with shiny black high heels, he would almost certainly have found her beyond his reach. But he came from a red clay farm where you had to wear gum boots to go to take a shit at night. His mother wore gum boots to get from the back door to the hire car which took them to their father’s funeral.
    ‘Tell you what,’ he said. ‘I’m going to put these out the back. You tell me when you want them. I’ll get them for you.’
    ‘You’re most kind,’ she said.
    ‘How about a dance when I get back?’
    ‘Oh,’ she said.
    ‘I know I’m not an oil painting.’
    ‘Thank you,’ she said. ‘That would be lovely.’
    He had this bulk, this thick neck and sloping shoulders, so all his strength seemed centred in his chest, which occasionally touched her breasts when he danced with her, formally, apologetically. He held her as if she were somehow fragile, and she let herself be held this way. She had spent three years being ‘strong’ and now she was so tensed and wound up that when, by the fifth dance, she allowed herself to give her weight to him, she could not give a part of it, but laid the full load on his shoulders which she dampened with a tear or two.
    His nose had a big bump in it just beneath the eye, and his left ear was slightly squashed and the