Mindswap by Robert Sheckley

sorts had to get by with three or four gallery systems; and in the slums of North Bogger, whole families were crowded into wretched mono– and duo-brachate systems. Housing reform had been promised in the near future, however.
    The kitchen was neat and modem, and well stocked with gourmet items. There were jars of candied annelids, and a bowl of exotic Alcyonium Salad mixture, and delicious titbits of Tubipora, Pennatula, Gorgonia, and Renilla. There was a can of Goose Barnacle in rotifer and orchid sauce, and a quick-frozen package of sweet and sour Uca. But – how like a bachelor – there were no staples, not even a gastropod loaf or a bottle of carbonated Ginger Honey.
    Wandering down the long, curving galleries, Marvin found the music room. Marduk had not stinted here. A gigantic Imperial amplifier dominated the room, flanked by two Tyrant-model speakers. Marduk used a Whirlpool semi-mix microphone, with a forty-bbc channel rejection, an 'expanding' type sense-discrimination selector, with a floating throat-slot 'passive' director. Pick-up was by image regeneration, but there was provision for changing over to decay modulation. Although not professional in quality, it was a very good amateur rig.
    The heart of the system, of course, was the Insectarium. This particular one was an Ingenuator, the Super-Max model, with both automatic and manual selection and mixture controls, regulated feed and disposal, and various maximizing and minimizing features.
    Marvin selected a grasshopper gavotte (Korestal, 431B) and listened to the thrilling tracheal obbligato and the subtle bass accompaniment of the paired Malphigian tubules. Although Marvin's appreciation was casual, he was well aware of the virtuoso ability of this particular performer: a Blue-Striped Grasshopper, his second thoracic segment pulsating slightly, visible in his own compartment of the Insectarium.
    Leaning down, Marvin nodded in appreciation. The Blue-Stripped Grasshopper clicked mandibles, then turned back to his music. (He had been bred especially for treble and brilliance, a flashy performer, more showy than sound. But Marvin did not know this.)
    Marvin turned off the selection, flipped the status switch from Active to Dormant mode; the grasshopper went back to sleep. The Insectarium was well stocked, especially with Mayfly symphonies and the strange new cutworm songs, but Marvin had too much to explore to bother with music just now.
    In the living-room, Marvin lowered himself into a stately old clay bank (a genuine Wormstetter), rested his head against the well-worn granite headrest, and tried to relax. But the ring in his snout ticked away, a continual intrusion to his sense of well-being. He reached down and picked at random a quick-stick from a pile on a low table. He ran his antennae over the grooves, but it was no use. He couldn't concentrate on light fiction. Impatiently he threw the quick-stick aside and tried to make some plans.
    But he was in the grip of an implacable dynamism. He had to assume that the moments of his life were severely limited, and those moments were passing away. He wanted to do something to commemorate his final hours. But what was there he could do?
    He slid out of the Wormstetter and paced the main gallery, his claws clicking irritably. Then, coming to an abrupt decision, he went to the wardrobe room. Here he selected a new casing of gold-bronze chitin, and arranged it carefully over his shoulders. He plastered his facial bristles with perfumed glue, and arranged them
en brosse
over his cheeks. He applied a mild stiffener to his antennae, pointed them at a jaunty sixty degrees, and allowed them to droop in their attractive natural curve. Lastly, he dusted his midsection with Lavender Sand, and outlined his shoulder joints with lamp-black.
    Surveying himself in the mirror, he decided that the effect was not unpleasing. He was well dressed, but not dandified. Judging as objectively as he could, he decided that he was a